Waiting for Godot
Essay Questions
Heltzel/deWit
draft due on Monday Nov 3
Final draft due Sunday Nov 9 2:45am (send to both of us)
6-8 pages 1”margins, proper citations
Eric: ewheltzel@gmail.com
Tom: humbug64@gmail.com
Eric: ewheltzel@gmail.com
Tom: humbug64@gmail.com
- Hone in on three fundamental questions, write them at the top of the essay and stir them together into some super crazy mind boggling question. Then write an essay on it.
- Write a paper of questions, that you weave in and out of the text from the play, any moment in the play and in any order. The only criteria is that your questions feel like some sort of quest to the reader. You question and weave text and question and weave and question. Create something out of questions, something we can save and use when we are trying to live. Go ahead and format this in some way that works for your purposeful purposelessness.
- What does it mean to be waiting? How would this play be different if Godot showed up at the end? OR How would this play be different if any of the characters were removed? If Lucky wasn't in the play or Pozzo? If it was just Estragon?
- Choose two or three themes from our list, explore and analyze the development of those themes throughout the play? What is Beckett saying about a certain theme in the context of the play? You can approach this prompt in a number of ways. You can analyze the relationship between characters like we have done in class. You can explore the various objects in the play and their uses. Or you can interpret the significance of the setting. How you approach this up to you. The possibilities are limitless!
- Choose up to three scenes and analyze how they relate to one another. How do they show a character's development? How does it show a theme's ark?
- Interpret Lucky's speech. What do you think he is saying? Who is he talking to / at? What role does Lucky play in the play? Why is Lucky in the play? Why is his name Lucky?
- Create your own topic! Explore an idea that you are interested in. Write your topic at the top of your essay.8. Bring something that WORKS the play into a froth, into a gift, into a curse, into a love poem, into a conversation with your Godot.9. Write this with someone else in the class, as your own Didi-Gogo dialogue, your own Pozzo-Lucky banter; your own duo-soliloquy, and submit it.